Tuesday, February 24, 2009

when i was your age i was seven

so today was a watershed day for ASP who may have joined twitter for purely informational reasons (like needing to know if michael showalter's cats are fighting or not). have to say, i'm already feeling the need to tweet. i haven't. but i can tell right now that i will. why? i really couldn't say. when? only time will tell. to who? i suppose my three "followers" who i feel an obligation to. you can join them and "follow" my nonposts here. the day of reckoning is nigh.

to counterbalance this potentially gross lapse in judgment i want to share some of my favorite works by ed ruscha which i think represent a core aesthetic component of novel designs and are incredibly almost all available online here. remember, brave men run in my family.














Sunday, February 22, 2009

it's nonrefundable. he wanted me to tell you that

daniel everett's departure series




and this might replace the time trucks as my new anti-procrastination laptop background (click to zoom):

Saturday, February 21, 2009

there was music in the cafes at night and revolution in the air

paul shaw documents the typography of brooklyn, including the "hotel montague" lettering near the promenade. apparently the montague, along with next-door neighbor the grosvenor, was one of brooklyn's first apartment buildings! it became a hotel at the turn of the century, turned into welfare housing in the 70s, and reverted back to co-op apartments in the 80s. two decades later, i moved in. standard gentrification.



Thursday, February 19, 2009

i don't mean to vilify an entire country, but mexico is a horrible place

just caught a sneak preview of rian johnson's new film the brothers bloom. the film features a brilliant score and soundtrack in addition to a noble commitment to visual gags, paying a heavy debt to the work of wes a. max records lends a somewhat disappointing performance as a younger bloom, which doesn't bode well for where the wild things are. alas, otherwise a fun film that deserves to be seen. a worth follow up to brick.

Wednesday, February 18, 2009

Thursday, February 12, 2009

i will do this until i inevitably say something i regret

in the past month or so, twitter seems to have transformed from a fringe blogger thing into a national phenomenon. i'm still not totally sure how it works and my only real engagement with it is keeping up to speed on ed droste's latest antics/the status of new gbear album. this talking points memo post peaked my interest though. apparently, the republican party is trying to get in on the twitter game, ostensibly to reach out to the obama generation. as could be expected, they massively f'ed up their first foray into the new technology:

Yesterday the Virginia GOP came very close to taking control of the state Senate, nearly luring a Democratic Senator to switch parties and put them at a 20-20 tie, which would have been broken by the Republican Lt. Governor. Then Jeff Frederick, a state legislator and the party chairman, ruined it all by Twittering this:
Big news coming out of Senate: Apparently one dem is either switching or leaving the dem caucus. Negotiations for power sharing underway.
The Dems then read the message, quickly mobilized to talk the renegade out of it, and stopped the GOP coup before it could happen. We usually don't cover state-level politics, but this is just too much. Really, Mr. Frederick, you don't live-blog about ongoing secret negotiations!

historians are going to have a field day with this in the future.

Monday, February 9, 2009

and so with the sunshine and great bursts of leaves

last weekend when ASP and i were surf camping, we decided that RVs could be great in theory, but with the exception of airstreams sadly lack any sort of design aesthetic. this teardrop trailor is a little more up ND's alley:



the photos are from the blog of foster huntington, a student at what appears to be colby college, who takes beautiful photographs and has a pretty sweet name.




Friday, February 6, 2009

i believe every man has a path laid out before him

a little crass for ND (i think this is about as fas as "red band" trailers have been pushed), but this trailer is just so impeccably put together: the music, the editing, the cinematography (by tim orr of david gordon green and michael showalter fame) this is how every trailer should be. despite the crude, tasteless humor you can tell just watching these few minutes that jody hill has followed up foot fist way with a film that will yet again bizzarely warm hearts against better judgement. plus i'm spotting jesse plemmons and aziz in the mix.

Thursday, February 5, 2009

you remind me of someone in my car who is me

more purdy things to look at. these are all by cristiana couceiro, a portugese artist. definitely demonstrating a cali vibe. em segundo somente ao urso de panda na hierarquia portugese de impressionante, sua merda é assassino









nothing is as far away as one minute ago

ruscha inspired photo/word play from the ffffound universe. i don't know where these came from or who made them. they're a little angsty post-hardcore lyricky, but they remain nd approved.





Wednesday, February 4, 2009

hadn’t we seen it all a hundred times?

a brilliant piece of short fiction from milhauser, one of his quintessential tone/genre blends, in this week's anniversary issue of the new yorker.



THE INVASION FROM OUTER SPACE
by Steven Millhauser
FEBRUARY 9, 2009

From the beginning we were prepared, we knew just what to do, for hadn’t we seen it all a hundred times?—the good people of the town going about their business, the suddenly interrupted TV programs, the faces in the crowd looking up, the little girl pointing in the air, the mouths opening, the dog yapping, the traffic stopped, the shopping bag falling to the sidewalk, and there, in the sky, coming closer . . . And so, when it finally happened, because it was bound to happen, we all knew it was only a matter of time, we felt, in the midst of our curiosity and terror, a certain calm, the calm of familiarity, we knew what was expected of us, at such a moment. The story broke a little after ten in the morning. The TV anchors looked exactly the way we knew they’d look, their faces urgent, their hair neat, their shoulders tense, they were filling us with alarm but also assuring us that everything was under control, for they, too, had been prepared for this, in a sense had been waiting for it, already they were looking back at themselves during their great moment. The sighting was indisputable but, at the same time, inconclusive: something from out there had been detected, it appeared to be approaching our atmosphere at great speed, the Pentagon was monitoring the situation closely. We were urged to remain calm, to stay inside, to await further instructions. Some of us left work immediately and hurried home to our families, others stayed close to the TV, the radio, the computer, we were all talking into our cells. Through our windows we could see people at their windows, looking up at the sky. All that morning we followed the news fiercely, like children listening to a thunderstorm in the dark. Whatever was out there was still unknown, scientists had not yet been able to determine its nature, caution was advised but there was no reason for panic, our job was to stay tuned and sit tight and await further developments. And though we were anxious, though quivers of nervousness ran along our bodies like mice, we wanted to see whatever it was, we wanted to be there, since after all it was coming toward us, it was ours to witness, as if we were the ones they’d chosen, out there on the other side of the sky. For already it was being said that our town was the likely landing place, already the TV crews were rolling in. We wondered where it would land: between the duck pond and the seesaws in the public park, or deep in the woods at the north end of town, or maybe in the field out by the mall, where a new excavation was already under way, or maybe it would glide over the old department store on Main Street and crash through the second-floor apartments above Mangione’s Pizza and Café, with a great shattering of brick and glass, maybe it would land on the throughway and we’d see eighteen-wheelers turn over, great chunks of pavement rise up at sharp angles, and car after car swerve into the guardrail and roll down the embankment.
Something appeared in the sky shortly before one o’clock. Many of us were still at lunch, others were already outside, standing motionless on the streets and sidewalks, gazing up. There were shouts and cries, arms in the air, a wildness of gesturing, pointing. And, sure enough, something was glittering, up there in the sky, something was shimmering, in the blue air of summer—we saw it clearly, whatever it was. Secretaries in offices rushed to windows, storekeepers abandoned their cash registers and hurried outdoors, road workers in orange hard hats looked up from the asphalt, shaded their eyes. It must have lasted—that faraway glow, that spot of shimmer—some three or four minutes. Then it began to grow larger, until it was the size of a dime, a quarter. Suddenly the entire sky seemed to be filled with points of gold. Then it was coming down on us, like fine pollen, like yellow dust. It lay on our roof slopes, it sifted down onto our sidewalks, covered our shirtsleeves and the tops of our cars. We did not know what to make of it.
It continued to come down, that yellow dust, for nearly thirteen minutes. During that time we could not see the sky. Then it was over. The sun shone, the sky was blue. Throughout the downpour, we’d been warned to stay inside, to be careful, to avoid touching the substance from outer space, but it had happened so quickly that most of us had streaks of yellow on our clothes and in our hair. Soon after the warnings, we heard cautious reassurances: preliminary tests revealed nothing toxic, though the nature of the yellow dust remained unknown. Animals that had eaten it revealed no symptoms. We were urged to keep out of its way and await further test results. Meanwhile it lay over our lawns and sidewalks and front steps, it coated our maple trees and telephone poles. We were reminded of waking in the morning after the first snow. From our porches we watched the three-wheeled sweepers move slowly along our streets, carrying it off in big hoppers. We hosed down our grass, our front walks, our porch furniture. We looked up at the sky, we waited for more news—already we were hearing reports that the substance was composed of one-celled organisms—and through it all we could sense the swell of our disappointment.
We had wanted, we had wanted—oh, who knew what we’d been looking for? We had wanted blood, crushed bones, howls of agony. We had wanted buildings crumbling onto streets, cars bursting into flame. We had wanted monstrous versions of ourselves with enlarged heads on stalklike necks, merciless polished robots armed with death rays. We had wanted noble lords of the universe with kind, soft eyes, who would usher in a glorious new era. We had wanted terror and ecstasy—anything but this yellow dust. Had it even been an invasion? Later that afternoon, we learned that scientists all agreed: the dust was a living thing. Samples had been flown to Boston, Chicago, Washington, D.C. The single-celled organisms appeared to be harmless, though we were cautioned not to touch anything, to keep the windows shut, to wash our hands. The cells reproduced by binary fission. They appeared to do nothing but multiply.
In the morning, we woke to a world covered in yellow dust. It lay on the tops of our fences, on the crossbars of telephone poles. Black tire tracks showed in the yellow streets. Birds, shaking their wings, threw up sprays of yellow powder. Again the street-sweepers came, the hoses splashed on driveways and lawns, making a yellow mist and revealing the black and the green underneath. Within an hour the driveways and lawns resembled yellow fields. Lines of yellow ran along cables and telephone wires.
According to the news, the unicellular microorganisms are rod-shaped and nourish themselves by photosynthesis. A single cell, placed in a brightly illuminated test tube, divides at such a rate that the tube will fill in about forty minutes. An entire room, in strong light, will fill in six hours. The organisms do not fit easily into our classification schemes, though in some respects they resemble blue-green algae. There is no evidence that they are harmful to human or animal life.
We have been invaded by nothing, by emptiness, by animate dust. The invader appears to have no characteristic other than the ability to reproduce rapidly. It doesn’t hate us. It doesn’t seek our annihilation, our subjection and humiliation. Nor does it desire to protect us from danger, to save us, to teach us the secret of immortal life. What it wishes to do is replicate. It is possible that we will find a way of limiting the spread of this primitive intruder, or of eliminating it altogether; it’s also possible that we will fail and that our town will gradually disappear under a fatal accumulation. As we follow the reports from day to day, the feeling grows in us that we deserved something else, something bolder, something grander, something more thrilling, something bristling or fiery or fierce, something that might have represented a revelation or a destiny. We imagine ourselves surrounding the tilted spaceship, waiting for the door to open. We imagine ourselves protecting our children, slashing the tentacles that thrust in through the smashed cellar windows. Instead, we sweep our front walks, hose off our porches, shake out our shoes and sneakers. The invader has entered our homes. Despite our drawn shades and closed curtains, it lies in thick layers on our end tables and windowsills. It lies along the tops of our flat-screen televisions and the narrow edges of our shelved DVDs. Through our windows we can see the yellow dust covering everything, forming gentle undulations. We can almost see it rising slowly, like bread. Here and there it catches the sunlight and reminds us, for a moment, of fields of wheat.
It is really quite peaceful, in its way. ♦

i'd rather play records than break them

nd really does strive to not post information or images that spread like wildfire through the blogosphere. nothing is more uninteresting, disappointing even, than redundancy. it's like a joke told twice. sometimes it's easy to draw the line, like yesterday when i watched david after dentist about 6 times, but knew that it would never find a home on nd (i'm not even going to link to it to make this point, the way things move these days by now ben silverman is probably hatching a pilot based on it). other times when i want to embed something from pitchfork it feels too obvious, but i'll make a concession for anything in any way relevant to the gbear clan. anyway... this is all an excuse for posting the following reimaginings of classic video games as vintage novels. they just touch upon too many things i love to not enter the novel designs canon, so i can get over the fact i first saw them on notcot. check out all sorts of coolnes at oily moss .





Tuesday, February 3, 2009

life is a state of mind



in honor of the release of the special edition of being there here are some words of wisdom:

"I have no use for those on welfare, no patience whatsoever, but if I am to be honest with myself, I must admit that they have no use for me either."
"I do not regret having political differences with men that I respect. I do regret however, that our philosophies kept us apart."
"I could never conceive why I could never convince my kitchen staff that I looked forward to a good bowl of chili now and then."
"I have heard the word "sir," more often than I have heard the word "friend," but I suppose there are other rewards for wealth."
"I have met with kings; during these conferences I have suppressed bizarre thoughts. Could I beat him in a foot race? Could I throw a ball farther than he?"
"No matter what our facades, we are all children."
"To raise your rifle is to lower your sights."
"No matter what you are told there is no such thing as an even trade."
"I was born into a position of extreme wealth, but I have spent many sleepless nights thinking about extreme poverty."
"I have lived a lot, trembled a lot, was surrounded by little men who forgot that we entered naked and exit naked and that no accountant can audit life in our favor."
"When I was a boy, I was told that the Lord fashioned us from His own image, that's when I decided to manufacture mirrors."
"Security. Tranquility. A Well Deserved Rest. All the aims I have pursued will soon be realized."
"Life is a state of mind."

do you always wait for the longest day of the year, and then miss it?

too much chocolate is a new rotating online gallery. each photographer picks the next photographer to be interviewed and featured on the site. this week it's elizabeth weinberg, whose brooklyn-based blog has quickly become one of my favorites.



good morning! cool! oh yeah! [unintelligible]!

it's gun o'clock...


Monday, February 2, 2009