Saturday, September 20, 2008

the lomo amigos

this site, dedicated to the lomo lca, also archives the lomographic adventures of some stellar individuals. namely:

christopher taylor bear






zachary francis condon





jona bechtolt and claire l. evans





i think i like the pictures from yacht the most. and they clearly win for best interview.

INTERVIEWER: If you could be anywhere, doing anything,
right now > where would it be and what would you do?
YACHT: Probably something similar to what we're doing right now: nude, eating yogurt, and watching "Project
Runway." The funny thing is, this answer isn't even a joke.

INTERVIEWER: The one person (living or deceased) who you would most like to photograph
YACHT: J.S. Bach, straight up.

INTERVIEWER: Your advice to future LC-A+ shooters.
YACHT: If you live in the United States, vote for Barack Obama.

Friday, September 19, 2008

stone-sober clerics

alongside interviews with authors like faulkner, mailer, delillo, stoppard, and murakami, the paris review has pdf's of manuscript pages that offer an insight into each writer's creative process: (click on page to see larger)

from joan didion's a book of common prayer (i'm 2/3 of the way through this right now - highly recommended so far)


from an unpublished ginsberg poem


from hunter s. thompson's fear and loathing in los vegas


from jonathan lethem's fortress of solitude


while most of the full interview transcripts require a payment to the paris review website, the excerpts are entertaining enough. the feasibility of writing under the influence seems to be a recurring topic:

INTERVIEWER
Did you ever feel that alcohol was in any way an inspiration? I’m thinking of your poem “Vodka,” published in Esquire.

CARVER
My God, no! I hope I’ve made that clear. Cheever remarked that he could always recognize “an alcoholic line” in a writer’s work. I’m not exactly sure what be meant by this but I think I know. When we were teaching in the Iowa Writers’ Workshop in the fall semester of 1973, he and I did nothing but drink. I mean we met our classes, in a manner of speaking. But the entire time we were there—we were living in this hotel they have on campus, the Iowa House—I don’t think either of us ever took the covers off our typewriters. We made trips to a liquor store twice a week in my car.

------------

INTERVIEWER
Almost without exception writers we’ve interviewed over the years admit they cannot write under the influence of booze or drugs—or at the least what they’ve done has to be rewritten in the cool of the day. What’s your comment about this?

THOMPSON
They lie. Or maybe you’ve been interviewing a very narrow spectrum of writers. It’s like saying, “Almost without exception women we’ve interviewed over the years swear that they never indulge in sodomy”—without saying that you did all your interviews in a nunnery. Did you interview Coleridge? Did you interview Poe? Or Scott Fitzgerald? Or Mark Twain? Or Fred Exley? Did Faulkner tell you that what he was drinking all the time was really iced tea, not whiskey? Please. Who the fuck do you think wrote the Book of Revelation? A bunch of stone-sober clerics?

windsurfing nation

Wednesday, September 17, 2008

Tuesday, September 16, 2008

down by the river

this weekend, asp and i are headed up to the big sur spirit garden to catch fleet foxes. i'm imagining it will be a latter-day version of this:

Sunday, September 14, 2008

the selby

i can't get enough of this site, which i discovered thanks to our friends over at madame lamb.

i think my favorite is bill gentle and fanny bostrom's brooklyn pad, for some obvious reasons that are depicted below:







i'm happy to say that i think the alamo totally merits this kind of homage.

no blinking

The NYTimes finally stepped up to the plate and told us how they really feel:

As we watched Sarah Palin on TV the last couple of days, we kept wondering what on earth John McCain was thinking.

If he seriously thought this first-term governor — with less than two years in office — was qualified to be president, if necessary, at such a dangerous time, it raises profound questions about his judgment. If the choice was, as we suspect, a tactical move, then it was shockingly irresponsible.

It was bad enough that Ms. Palin’s performance in the first televised interviews she has done since she joined the Republican ticket was so visibly scripted and lacking in awareness.

What made it so much worse is the strategy for which the Republicans have made Ms. Palin the frontwoman: win the White House not on ideas, but by denigrating experience, judgment and qualifications.

The idea that Americans want leaders who have none of those things — who are so blindly certain of what Ms. Palin calls “the mission” that they won’t even pause for reflection — shows a contempt for voters and raises frightening questions about how Mr. McCain and Ms. Palin plan to run this country.

One of the many bizarre moments in the questioning by ABC News’s Charles Gibson was when Ms. Palin, the governor of Alaska, excused her lack of international experience by sneering that Americans don’t want “somebody’s big fat résumé maybe that shows decades and decades in that Washington establishment where, yes, they’ve had opportunities to meet heads of state.”

We know we were all supposed to think of Joe Biden. But it sure sounded like a good description of Mr. McCain. Those decades of experience earned the Arizona senator the admiration of people in both parties. They are why he was our preferred candidate in the Republican primaries.

The interviews made clear why Americans should worry about Ms. Palin’s thin résumé and lack of experience. Consider her befuddlement when Mr. Gibson referred to President Bush’s “doctrine” and her remark about having insight into Russia because she can see it from her state.

But that is not what troubled us most about her remarks — and, remember, if they were scripted, that just means that they reflect Mr. McCain’s views all the more closely. Rather, it was the sense that thoughtfulness, knowledge and experience are handicaps for a president in a world populated by Al Qaeda terrorists, a rising China, epidemics of AIDS, poverty and fratricidal war in the developing world and deep economic distress at home.

Ms. Palin talked repeatedly about never blinking. When Mr. McCain asked her to run for vice president? “You have to be wired in a way of being so committed to the mission,” she said, that “you can’t blink.”

Fighting terrorism? “We must do whatever it takes, and we must not blink, Charlie, in making those tough decisions of where we go and even who we target.”

Her answers about why she had told her church that President Bush’s failed policy in Iraq was “God’s plan” did nothing to dispel our concerns about her confusion between faith and policy. Her claim that she was quoting a completely unrelated comment by Lincoln was absurd.

This nation has suffered through eight years of an ill-prepared and unblinkingly obstinate president. One who didn’t pause to think before he started a disastrous war of choice in Iraq. One who blithely looked the other way as the Taliban and Al Qaeda regrouped in Afghanistan. One who obstinately cut taxes and undercut all efforts at regulation, unleashing today’s profound economic crisis.

In a dangerous world, Americans need a president who knows that real strength requires serious thought and preparation.

Friday, September 12, 2008

diagram of a scam

wrapping up the week with some imagery



the original mad man



a 1977 interview with David Ogilvy

she had never seen traffic lights, lifts or escalators

i'm not even a big fujiya and miyagi fan, but this video is pretty easy on the eyes.

look it stopped snowing

polish film posters







let me break this down for you

Thursday, September 11, 2008

i'll see you at burning man

this post goes out to JMF who actually went to burning man this year. i am officially jealous. here are a lot of reasons why:










Monday, September 8, 2008

Friday, September 5, 2008

make no mistake

neon gold

asp's sister just started a well named label and is putting out the 7" for the aforeposted passion pit single sleepyhead.

check out many endorsements:

Thursday, September 4, 2008

volcanic legacy

some nikon fm 10 pics from an epic road trip through oregon with KKR.


we tried to go visit this island...


but got bombarded by a freak hailstorm as we hiked down to crater lake.


the rogue boat captain (total dude) said he hadn't seen weather so crazy in the nineteen years he'd been working there. all boat trips were cancelled and a snowball fight ensued.


and then i turned 24!

Tuesday, September 2, 2008

the respectacle

tim and eric of tim and eric awesome show great job are interviewed in this month's believer. as a new fan of the shows it's interesting to learn about the parameters they set themseleves as well as their specific aesthetic goals. i recommend reading in full but here's a chunk i found particularly edifying as a viewer:


BLVR: How bad, or good, was local Philly-area cable TV when you were growing up?

TH: Terrible. Just atrocious. I grew up in Allentown, Pennsylvania. There was a show I loved called Al Alberts Showcase, which was on on Saturday afternoons. Al was an old man who would have these four- and five-year-old kids on his show. The kids were barely able to put a sentence together, but they were made to sing old standards. Bizarre.

EW: What I really liked, maybe even more than cable TV, were these old videotapes of high-school performances from the ’70s and ’80s. I was president of the A.V. club in high school, and I came to fall in love with that amateur style—in both the production and entertainment sense. Everything was so earnest and yearning and, in the end, very sad. It was riveting.

BLVR: Why was this amateurish style riveting for you? Did you find an authenticity with these old videotapes you couldn’t find elsewhere?

EW: Yeah—it was real. There’s a real person up on that stage; it’s not an actor in front of the camera. There was an awkwardness I always found fascinating. Why are they shooting this? Why are they performing this? Shit, why am I watching this? It was mesmerizing.

Tim and I still have this theory that the realistic will always outdo the inauthentic. Always. That’s the main reason we haven’t hired a professional sketch troupe for the Awesome Show. Real people, for better or worse—mostly worse—will always be preferable.

When we started Awesome Show, we knew we didn’t want to hire graduates from the Groundlings or Second City. If we were going to parody, say, a commercial for a local car dealership, we’d want to hire a real person who would just read what we told him to read. We knew we could get solid performances this way that we couldn’t have gotten otherwise.

TH: Even when we were doing Tom Goes to the Mayor, from 2004 to 2006, we would bring in nonprofessional actors and record their voice-overs. These people would produce such laughs—such genuine laughs—that it really improved the work. It made everything just sound better. These weren’t photocopy cutouts of people purposefully acting strange.

BLVR: I’d imagine it’s not too difficult to find these types of performers in L.A.

EW: Oh, it’s so, so, so easy. You’re just inundated with them in L.A.! Everyone is so desperate to be a star. Literally, practically every person who lives here has some sort of acting aspiration. Every once in a while, Tim and I will sift through these low-end websites and pick out hundreds of amazing headshots.

When these actors come in, they more or less don’t know what the hell they’re doing. And that’s exactly what we want. We stick them in front of the camera and just experiment.

BLVR: Are you concerned that once these actors become too self-aware, they’ll stop being funny? I always thought that was the case with Larry “Bud” Melman on Late Night with David Letterman, in the ’80s and early ’90s. As soon as he found out he could be intentionally funny, he ceased to be.

TH: Very much so. We have to guard against that all the time. Some of these actors want to act in a certain way, either to play up a joke or to sell a certain line—and it’s our job to tell them not to do that. We tell them to just act normal. Otherwise, it’ll never be as effective. In fact, it would be really lame.

BLVR: One of the things I like about the Awesome Show is that even though most of these performers are quite bizarre, you don’t mock them. They’re on the show and they’re doing their thing, but it’s almost like they’re part of the family.

EW: Part of the fun, right. And that’s really important to us. We never, ever want to seem like we’re manipulating them too much. We were never into bringing people onto the show and mocking them. Howard Stern sometimes does this, and we don’t like how he treats his gang of crazy people. It’s too brutal. Sometimes it’s funny, but mostly it just feels exploitative to us. I’m not into that idea of mean comedy.

TH: Not to sound too mushy, but we are also fulfilling a lot of these performers’ deepest dreams and wishes—which is to be on television. There is no other opportunity for these people to appear on TV. This is it.

BLVR: It also helps that you’re down in the mud pit along with the rest of them; it’s not as if you’re lording above them with your intellect and good looks.

EW: Exactly. We never put ourselves on a pedestal and make ourselves look like the cool guys. Even if we tried to do that, it would be impossible. We look terrible. You can see our double chins hanging out. We’re wearing makeup. Our faces are covered in Vaseline. We’re disasters.

Monday, September 1, 2008

reputation, posterity and cool are traps

patton oswalt recently returned to his high school in sterling, virginia to speak before the graduating class. below is the speech which is hysterical and poignant. part conan o'brien, part david foster wallace and part kurt vonnegut:

First off, I want to thank the teachers and faculty of Broad Run High School for first considering and then inviting me to speak here. It was flattering, I am touched and humbled, and you have made a grave mistake.

I’m being paid for this, right? Oh, wait, there’s some advice, right off the bat – always get paid. If you make enough money in this world you can smoke pot all day and have people killed.

I’m sorry, that was irresponsible.

You shouldn’t have people killed.

Boom! Marijuana endorsement eleven seconds into my speech! Too late to cancel me now!

It’s dumb-ass remarks like that which kept me out of the National Honor Society and also made me insanely wealthy. If I move to Brazil.

I graduated from Broad Run High School 21 years ago. That means, theoretically, I could be – each and every one of you – your father. And I’m speaking especially to the black and Asian students.

So now I’m going to try to give all of you some advice as if I contained fatherly wisdom, which I do not. I contain mostly caffeine, Cheet-o dust, fear and scotch.

I know most of you worked very hard to get here today but guess what? The Universe sent you a pasty goblin to welcome you into the world. Were The Greaseman and Arch Campbell not available?

So, 1987. That’s when I got my diploma. But I want to tell you something that happened the week before I graduated. It was life-changing, it was profound, and it was deeper than I realized at the time.

The week before graduation I strangled a hobo. Oh wait, that’s a different story. That was college. I’m speaking at my college later this month. I’ve got both speeches here. Let me sum up the college speech – always have a gallon of bleach in your trunk.

High school. A week before I graduated high school I had dinner, in Leesburg, with a local banker who was giving me a partial scholarship. I still don’t understand why. Maybe he had me confused with another student, someone who hadn’t written his AP English paper on comparisons between Jay Gatsby and Spider-Man. But, I was getting away with it, and I love money and food, so double win.

And I remember, I’m sitting at this dinner, with a bunch of other kids from the other local high schools. And I’m trying my pathetic best to look cool and mysterious, because I was 17 and so into the myth of myself. Remember, this dinner and this scholarship was happening to me.

And I figured this banker guy was a nice guy but hey, I’m the special one at the table. I had a view of the world, where I was eternally Bill Murray in Stripes. I’d be the one with the quips and insights at this dinner. This old man in a suit doesn’t have anything to teach me beyond signing that check. I’ve got a cool mullet and a skinny leather tie from Chess King. And check out my crazy suspenders with the piano keys on them. Have you ever seen Blackadder? ‘Cuz I’ll recite it.

And then this banker – clean-shaven, grey suit and vest – you’d never look twice at him on the street – he told me about The Five Environments.

He leans forward, near the end of the dinner, and he says to me, “There are Five Environments you can live in on this planet. There’s The City. The Desert. The Mountains. The Plains. And The Beach.

You can live in combinations of them. Maybe a city in the desert, or in the mountains by the ocean. Or you could choose just one. Out in the plains somewhere, perhaps.

“But you need to get out there and travel, and figure out where you thrive.

“Some places you’ll go to and you’ll feel yourself wither. Your brain will fog up, your body won’t respond to your thoughts and desires, and you’ll feel sad and angry.

“You need to find out which of the Five Environments are yours. If you belong by the ocean, then the mountains will ruin you. If you’re suited for the blue solitude of the plains, then the city will be a tight, roaring prison cell that’ll eat you alive.

He was right. I’ve traveled and tested his theory and he was absolutely right. There are Five Environments. If you find the right combination, or the perfect singularity, your life will click…into…place. You will click into place.

And I remember, so clearly, driving home from that dinner, how lucky I felt to have met someone who affirmed what I was already planning to do after high school. I was going to roam and blitz and blaze my way all over the planet.

Anywhere but here. Anywhere but Northern Virginia. NoVa. You know what a “nova” is? It’s when a white dwarf star gobbles up so much hydrogen from a neighboring star it causes a cataclysmic nuclear explosion. A cosmic event.

Well, I was a white dwarf and I was definitely doing my share of gobbling up material. But I didn’t feel like any events in my life were cosmic. The “nova” I lived in was a rural coma sprinkled with chunks of strip mall numbness. I had two stable, loving parents, a sane and wise little brother and I was living in Sugarland Run, whose motto is, “Ooooh! A bee! Shut the door!”

I wanted to explode. I devoured books and movies and music and anything that would kick open windows to other worlds real or imagined. Sugarland Run, and Sterling and Ashburn and Northern Virginia were, for me, a sprawling batter’s box before real experience began.

And I followed that banker’s advice. I had to get college out of the way but once I got my paper I lit out hard.

Oh this world. Ladies and gentlemen, this world rocks and it never lets up.

I’ve seen endless daylight and darkness in Alaska. I’ve swum in volcanic craters in Hawaii and saw the mystical green flash when the sun sinks behind the Pacific. I got ripped on absinthe in Prague and watched the sun rise over the synagogue where the Golem is supposedly locked in the attic. I stood under the creepy shadow of Christchurch Spitafields, in London’s East End, and sank a pint next door at The Ten Bells, where two of Jack the Ripper’s victims were last seen drinking. I’ve fed gulls at the harbor in Galway, Ireland. I’ve done impromptu Bloomsday tours of Dublin.

I cried my eyes out on the third floor of the Van Gogh Museum in Amsterdam, all those paintings that Vincent and his circle have to each other as gifts because they were all broke some cold Christmas long ago. I’ve eaten crocodile in the Laneways of Melbourne Australia and ortolans on the Left Bank of Paris, France.

I’ve been to Canada.

I’ve been to every state in this country. I’ve been to hidden, subterranean restaurants in New York with the guys from Anthrax and eaten at L.A. taquieras with “Weird” Al Yankovic. I held the guitar that Hendrix torched at Monterey Pop and watched Woodstock ’99 burn to the ground. I’ve lingered at the corner of Bush and Stockton in San Francisco where Miles Archer took a bullet in The Maltese Falcon, and brooded over the grave of H.P. Lovecraft in Providence, R.I. I’ve hung out with Donny Osmond and Jim Goad, Suge Knight and Aimee Mann, Bill Hicks and Don Rickles.

I’ve done stand-up comedy in laundromats, soup kitchens and frat houses, and onstage at Lollapalooza and Coachella. I’ve toured with bands, been to the Oscars and the Superbowl, and been killed in movies by vampires, forest fires and air-to-air missiles.

And I missed the banker’s lesson. 100%, I completely missed it.

In my defense, he didn’t even know he was teaching it.

Telling me about the 5 Environments and urging me to travel? That was advice. It wasn’t a lesson. Advice is everywhere in this world. Your friends, family, teachers and strangers are all happy to give it.

A lesson is yours and yours alone. Some of them take years to recognize and utilize.

My lesson was this – experience, and reward and glory are meaningless unless you’re open and present with the people you share them with in the moment.

Let me go back to that dinner, 21 years ago. There I was, shut off from this wise, amazing old man. Then he zaps me with one of the top 5 pieces of information I’ve ever received in this life, and all I was thankful for was how it benefited me.

I completely ignored the deeper lesson which is do not judge, and get outside yourself, and realize that everyone and everything has its own story, and something to teach you, and that they’re also trying – consciously or unconsciously – to learn and grow from you and everything else around them. And they’re trying with the same passion and hunger and confusion that I was feeling – no matter where they were in their lives, no matter how old or how young.

I’m not saying that you guys shouldn’t go out there and see and do everything there is to see and do. Go. As fast as you can. I don’t know how much longer this world has got, to be honest.

All of you have been given a harsh gift. It’s the same gift the graduating class of 1917, and 1938, and 1968 and now you guys got – the chance to enter adulthood when the world teeters on the rim of the sphincter of oblivion. You’re jumping into the deep end. You have no choice but to be exceptional.

But please don’t mistake miles traveled, and money earned, and fame accumulated for who you are.

Because now I understand how the miraculous, horrifying and memorable lurk everywhere. But they’re hidden to the kind of person I was when I graduated high school. And now – and it’s because of my traveling and living and some pretty profound mistakes along the way – they’re all laid open to me. They’re mine for the feasting. In the Sistine Chapel and in a Taco Bell. In Bach’s Goldberg Variations and in the half-heard brain dead chatter of a woman on her cell phone behind me on an airplane. In Baghdad, Berlin and Sterling, Virginia.

I think now about the amazing thunderstorms in the summer evenings. And how – late at night, during a blizzard, you can stand outside and hear the collective, thumping murmur of a million snowflakes hitting the earth, like you’re inside a sleeping god’s thoughts.

I think of the zombie movies I shot back in the gnarled, grey woods and the sad, suburban punks I waited on at Waxie Maxie’s. I think of the disastrous redneck weddings I deejay’d for when I was working for Sounds Unlimited and the Lego spaceships my friends and I would build after seeing Star Wars.

I think about my dad, and how he consoled me when I’d first moved to L.A. and called him, saying I was going into therapy for depression, and how ashamed I was. And he laughed and said, “What the hell’s to be ashamed of?” And I said, “Man, you got your leg machine-gunned in Vietnam. You never went to therapy. Humphrey Bogart never went to therapy.” And my dad said, “Yeah, but Bogie smoked three cartons of cigarettes a day.” And how my mom came down to the kitchen when I was studying for my trig final, at 2 o’clock in the morning, and said, “Haven’t you already been accepted to college?” And I said, “Yeah, but this test is really going to be hard.” And she asked, “What’s the test for again?” And I said, “Calculus” and she closed my notebook and said, “You’ll never use this. Ever. Go to bed or watch a movie.” And how when I got my first ever acting gig, on Seinfeld, my brother sent me a postcard of Minnie Pearl, and he wrote on it, “Never forget, you and her are in the same profession.”

I didn’t realize how all of these places and people and events were just as crucial in shaping me as anything I roamed to the corners of the Earth to see. And they’ve shaped you, and will shape you, whether you realize it now or later. All of you are richer and wiser than you know.

So I will leave you with some final advice. You’ll decide later if this was a lesson. And if you realize there was no lesson in any of this, then that was a lesson.

But I’d like all of you to enter this world, and your exploration of the Five Environments, better armed then I was. And without a mullet. Which I see you’re all way ahead of me on.

First off: Reputation, Posterity and Cool are traps. They’ll drain the life from your life. Reputation, Posterity and Cool = Fear.

Let me put that another way. Bob Hope once said, “When I was twenty, I worried what everything thought of me. When I turned forty, I didn’t care what anyone thought of me. And then I made it to sixty, and I realized no one was ever thinking of me.” And then he pooed his pants, but that didn’t make what he said any less profound.

Secondly: The path is made by walking. And when you’re walking that path, you choose how things affect you. You always have that freedom, no matter how much your liberty it curtailed. You…get to choose…how things affect you.

And lastly, and I guarantee this. It’s the one thing I know ‘cause I’ve experienced it:

There Is No Them.

I’m going to get out of your way now. Get out there. Let’s see which one of you is up here in twenty years. If you’re lacking confidence, remember – I wouldn’t have picked me.

two letters

v.p.